đ Liner Notes: Cascade
An insight into how the song was made, from first demo to final product.
Welcome to Liner Notes! The insight into each song on my debut album, Typical Forever. Liner Notes shows the story behind making these songs, the stories that couldnât fit in a CD booklet or a Bandcamp credits section.
đ Cascade
âCascadeâ is the second single off of my geology album, Typical Forever. And itâs one of my favourites.
It dropped last week on all music platforms, so if you havenât had a listen yet, go hit play and use it as the background for reading this email.
I didnât actually think this song would make it to the album. It lingered in the voicenotes and idea stages for quite a while before I actually ended up taking it seriously enough to finish itâŚ
đą How Did It Start?
I just had a melodic idea. If you listen to the voice memo below, youâll hear that I was playing around with a much faster tempo verse, in a higher part of my register.
If you canât make out any words itâs probably because I was singing gibberish, trying out different sounds in different places to see what words wanted to come out and when.
The chorus is solidifying by the end of this passage, and I kept that. But the verses needed more work.
I liked the word Cascade. And I wanted to write a song about rocks tumbling down the mountain. I had read about something called the âsedimentary cycleâ which is rocks being weathered down to sand and eventually travelling into the ocean to become compressed and turning into rock again. I made this page in my notebook which is the first ever evidence of this song:
âď¸ Writing The Song
Honestly⌠thereâs not really a super-interesting story to this songwriting apart from one element of it.
Sometimes songs just pour out of you in one go and thereâs not much analysis you can do about that process. And thatâs what I feel like happened with Cascade⌠but as I said, apart from the bridge.
The bridge is that middle moment in the song where it departs for a moment to some sort of emotional revelation or insight. For so long I was trying to figure out what to say. I wanted to really get to the heart of the narrator. This rock was desperate to be changed! It wanted to tumble down the hillside and be compressed into sediment! It wanted to be elevated again into a mountaintop!
At first I wanted to be quite literal about the process of compaction and compression:
The bottom section was my first idea. Compaction! Put me down! What was I, a sickly dog? It didnât really do the job.
The top section was my second idea. I kept the âput me downâ but squeezed it in as a passing phrase: put me down and elevate me.
But I still didnât like the negative connotations of being âput downâ in order to be elevated again. Also, staying still is suffocating was a bit of a âmehâ line to me, it didnât really have much to say.
I met a friend and a really great songwriter called Benjamin Scheuer and we went over the songs. When I presented him the problem of the âCascadeâ bridge, he suggested I just keep it open for now. Just keep playing the chords over and over and try different things. I didnât have to have anything set in stone until I was literally recording the vocals in the studio.
So I did that. I worked on it but didnât let it solidify until we were days away from recording the song. And even in the studio I had to have my lyrics up because I hadnât got it memorised yet.
I ended up with this:
All Iâve ever known
Is waiting, watching, wishing, hoping
Let me go where rivers go
Hold the door and leave it open
I kept the âlet me go where rivers go.â Honestly a lot of this bridge ended up being words and sounds which acted as a vehicle for singing big notes. When you listen to the song you can hear the emphasis: âALL Iâve ever known, is waiting watching, wishing, HOPING, LET me GO where rivers GOâ â like, the stress is lying on these âawâ and âohâ sounds which are great to place on big notes. Just manages to shove a bunch of emotion and climax in there, which is what you want for a bridge, before you bring it down⌠to bring it back up again.
𪊠Listen⌠Now!
Hoo boy. Now that you have an idea of where the song came from, how about listening to âCascadeâ?
⨠Bonus song: if you like this song, then you might like some of the songs from a side project I did with my friend Hannah Fredsgaard-Jones, called Missed Connections. Check out the songs here.
đ Up Next: The Story Behind The Song
Every song starts with a lived experience. And there are so many experiences in my life that I tell through the story of âCascade.â But I think I want to tell a story from ten years ago, when I moved to Canada, and thought my whole life would changeâŚ
Missed the previous post? Check out my announcement for âCascadeâ last week:
Typical Forever: Album Status
đ Single 1:đď¸ Earthquake Room [status: unlocked!]
đ Single 2: đď¸ Cascade [status: unlocked!]
đ Single 3: đ âââââ ââââ âââââ âââââ [status: in the vault]
đ Single 4: đşď¸ ââââ ââ ââââ [status: in the vault]
đ Album: đ Typical Forever [status: 25% unlocked]
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Til next time! Be good,
Olivia đâ¨đđś













very interesting! I always try to find similarities in the way you work on the songs and the lyrics to my emerging process of writing my first book with pictures and words. I have the feeling my illustrations are the equivalent to your music. Thanks for all the details and insights
This is really interesting, Olivia. Thanks for taking us through the songwriting process.